Hollywood’s Maddest Doctors: Lionel Atwill, Colin Clive, George Zucco
Hollywood's Maddest Doctors: Lionel Atwill, Colin Clive, George Zucco
Finally a biography on those titans of terror from the Golden Age of Horror Films: Lionel Atwill (Doctor X, Mystery of the Wax Museum), Colin Clive (Frankestein) and George Zucco (The Flying Serpent). Author Gregory Mank delves into the lives and careers of three of the actors who helped shape the modern horror film. A thrilling and involving story as the reader delves into the Hollywood of the 1930s and 1940s and discovers a cast of characters whose tragic lives or distressing careers brough
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Mank Brings Universal Horror Stars to Life in new Biography,
I just finished reading Gregory William Mank’s “Hollywood’s Maddest Doctors,” and I must hand it to Mr. Mank. He has done a fine job.
The three subjects of the volume-Lionel Atwill, Colin Clive, and George Zucco-were extraordinary stage-trained actors who became legendary players in the great Universal Studios’ horror classics of the 1930′s and early 1940′s. Even more interesting is the fact that each man was far more interesting in real life than he was in the roles he played on stage and screen. Each in his own way was a tortured soul.
Atwill, the great matinee idol of the British and American stages of the 1920′s, was a powerful character actor whose lead roles in such classics as “Dr. X” and “The Mystery of the Wax Museum” elevated him to the same pedestal as Karloff and Lugosi in the horror genre. However, in real life he was a self-destructive free spirit whose sexual escapades led to his downfall. Bitter in his last years, he died an outcast in an industry that was appalled at his unabashed sexual proclivities.
Colin Clive, whose masterful portrayal of Dr. Frankenstein ranks as one of the best pieces of acting in any genre, was a tormented soul who lacked self-confidence and took refuge in the bottle. He would die tragically at the age of 37 from kidney and liver failure, his talent only partially tapped.
Finally, there is the gentlemanly George Zucco who could play virtually any role with equal skill and grace, but who nevertheless was stereotyped in “mad doctor” roles to his everlasting chagrin. Zucco would die unfulfilled, wondering to the last how his career might have been different if only he had gotten more diverse dramatic and comedy roles.
Mank does a super job in bringing out the irony in each man’s career-we remember them best for the mad, often tragic characters they portrayed on film. Yet it was in real life that these men played out their most genuinely tragic roles.
I highly recommend Mr. Mank’s book to all true fans of these three unsing heroes of early horror films. Each was very talented and very troubled. To his credit, Mank does an excellent job in illuminating both the professional and personal components of their lives. A fine job.
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|Interesting lives of 3 very different actors,
How different could 3 actors be? Lionel Atwill,a highly respected stage actor that made a specialty out of playing off-beat mad doctor roles and whom his friends called ‘Pinky’. Colin Clive, another star of the stage who detested his horror movie roles and drank himself to death. George Zucco, an actor that worked on stage with Colin Clive, made a living acting in everything from Grade ‘A’ feature films to poverty row Grade ‘Z’ pictures. I knew something of the lives of Atwill and Clive, but the bio of Zucco was especially interesting. While Atwill was the host of ‘adult’ parties in his home, and Clive spiralled into an early alcohol-induced death, Zucco comes across as a gentleman. This book was most interesting, and not only taught me the differences in the three men, but also the one thing they had in common. All three were fine actors with backgrounds on the stage who(especially for Atwill and Zucco) always strived to give a good performance, no matter what the picture they were involved with.
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|Disappointed,
As a big fan of almost any Universal Creature Movie, I looked forward to these biographies of three of the leading men of horror. Unfortunately it reads more like a filmography more than anything else. Very little is learned of the men themselves. There was so little information about Colin Clive that Mr. Mank resorted to claiming nightmares as he gathered information for this book. They sounded so contrived; made up for filler. I also bought his two volume set of the Women of Horror 1930′s and 1940′s and hope they are more informative.
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